![]() Modern black metal has become an aesthetic within which a multitude of ideas can be expressed, and has proven surprisingly conducive to experimentation, contrasting in magically diverse permutations with everything from electronica to shoegaze, and proving beyond doubt that ours is a movement at the very forefront of wider musical evolution – something to be proud of, not to dismiss. ![]() Far from the dismissive accusations of hipsterdom often associated with the term ‘post-black metal’, the description is rather loose, applicable to bands new and old a horde of artists who took the second wave of black metal’s conventions and broadened their horizons, evolving past the genre’s limiting conservatism.
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